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£¤£¤£¤£¤ £¤£¤£p£¤ diagrammes 1980 1999
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£¤£¤£¤£¤ £n£¤£¤£º ¤£¤£º£¤£ ¤¹¬o¤£¤£
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¤m¤£¤£n£ 1£¤£¤£¤£ £¤£¤£¤£1 £¼£3£¤£¤
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¤£¤£¤£¤£ ¤¹¤£¼£¤£
h#3 211... 3+3 h#3 211... 5+3
1.Rc4 Bh2 2.Kd4 Ke6 1.Be7 Ba3 2.Kg5 h4+ »¤£¤£¤»¤ £¤£¤»¼£¤
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3.Sc3 Bg1# 3.Kf6 Bb2#
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1.Sd4 Ba2+ 2.Ke4 Kd6 1.Bg5 Bg8 2.Rf4 h3+
h#3 0-position 2+6 h#4 211... 4+8
3.Sf3 Bb1# 3.Kf5 Bh7#
a) Úg2®h7
b) Ùg8®h8
a) 1.Bf6+ exf6 2.a1=B f7 1.Bc6 bxc6 2.f1=B c7
Pleasant switchbacks for mate separated nicely by
3.Bg7 fxg8=S# 3.Bg2 c8=Q 4.Bd5 Qh8#
each move of the pawn by a master of the
b) 1.Rf6 exf6 2.g1=R fxg7 1.Sa6+ bxa6 2.e1=S a7
 seemingly simple, with the emphasis on
3.Rg6 gxh8=Q# 3.Sd3 a8=Q 4.Sc5 Qa1#
 seemingly. Excellent construction, as always, from
this author (SD).
605c.
Yuri Gordian
Gennady Kozyura 605d.
603. Abdelaziz Onkoud
4 hm Shakhmatnaya Chris Feather
a) 1.Sd6+ Re4+ 2.Kd5 Bb5 3.Sd4 Re5#
Poezya 2000 Broodings 2005
b) 1.Sc3+ Be4 2.Kc4 Kh2 3.Bd4 Bd3# 2¤£¤£¤Y¤ £¤£¤£¤£¤
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Cute blend of black battery play, changed self-blocks
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£¤£¤£¤£¤ £¤»¤»º£¤
and switchback mates (HF).
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¤£¤£¤»¤£ ¤£¤2Z£¤o
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£¤»¤£p£¼ £¤«p£¤£¤
604. Christer Jonsson
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¤»¤£¤«¤0 ¤£¤£¤£¤»
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£¤£¤£¤»¤ »¤£¤»º£¤
1.b1=R Bxb6 2.Rxb6 Ka7 3.Rg6 Sf7#
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1.b1=B Sf3 2.exf3 Bb8 3.Bg6 Bf4#
h#4 b) Îa7®h5 2+11 h#4 211... 4+11
a) 1.Bb8 axb8=S 2.g1=B 1.Rg5+ Kh2 2.Rg7 fxg7
Quite familiar blend of sacrifices in Zilahi form with
Sa6 3.Rb8 Kg2 3.e1=R g8=S 4.Re5 Sf6#
black promotions for changed self-blocks. Pity there
4.Ba7 Sc7# 1.Bc5 Bf8 2.Be7 fxe7
is a white tempo move only in one solution (HF).
b) 1.Rg6 hxg6 2.g1=R 3.a1=B e8=S 4.Bd4 Sf6#
gxh7 3.Rg8 h8=Q
The two solutions are exquisite in this Zilahi! The
4.Rb8 Qa1#
first wasn t hard, but the tempo was a nice touch, and
seeing the first solution led down a pleasant logic
606. Misha Shapiro
path to find the corresponding solution (SD).
a) 1.Qc6 Se8 2.Bd5 Sf6 3.Bg2 Sg4#, 1.Qg6 Se6
The double motivation for rook underpromotion is
2.Rg5 Sd4 3.Rg2 Sf3#
regrettable: Qg6 guards both f7 and g5, but on the
b) 1.Qg7 Sb5 2.Rg6 Sd4 3.Rg2 Sf3#
way via b6 it would put white into zugzwang. But
Quite familiar black Turton manoeuvres for
take the good of it: would it be possible to make
replacement of a square-block, extended to three
zugzwang twice and in thematically pure setting?
phases with a  technical twin (HF).
(JL).
64
No. 27 Mat Plus  Autumn 2007
606a.
connected to the first, as in any Jones! I don t like
Knud Hannemann 606b.
the WPf6 but such minor constructional concessions
Dedicated to Lars Larsen Toma Garai
are often necessary (SD).
1 hm Thema Danicum 1976 pr Thema Danicum 1976
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2J©¤£¤£¤ £¤£¤£Z£¤
610. Anatoly Styopochkin
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¤£¤£ª£¤£ ¤£¤£¤£¤£
1.S2c3 Sg4 2.Sxe4 Bxe4 3.hxg4 Bd5#
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£¤£¤£¤£¤ £¤£¤£¤£¤
1.S4c3 Bg4 2.Sxe4 Sxe4 3.hxg4 Sc5#
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¤£¤0¤£¤£ ¤£¤£¤£¤£
Zilahi with white sacrifices for black tempo and
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£¤£¤£¤£¤ £n£¤£¤£¤
black sacrifices for square vacation (HF).
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¤£¤£¤£¤£ ¤£¤£¤£¤£
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£¤£¤£¤£Z 2¤0¤¹¤£¤ 611. Boris Shorokhov
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¤£¤£p£¤£ J£¤£¤£¤©
1.Bxb3 Kf6 2.Bd5 Ke5 3.Bb7 axb7 4.Kc2 b8=Q
| |
h#3 b)  Yh2 3+4 h#3 b) of8 4+3
5.Kc3 Qb3#
a) 1.Qb1 Kc6 2.Rb2 Sd5 3. a) 1.Qg1 Sg3 2.Rf1 Se4 3.
Only after the black bishop vacates the mate square,
Rb8 Sc7#; b) 1.Qh2 Kc6 Ra1 Sc3#; b) 1.Qh8 Sf2 2.
he can return for the sacrifice (HF)
2. Bg3 Sd5 3.Bb8 Sb6# Bg7 Sd3 3.Ba1 Sc1#
Black Turton Black Turton
612. Borislav Stojanović
606c. Felix Sonnenfeld
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£¤Y¤£¤£¤ 1.Bf3 Bxf3 2.Ke3 Kd1 3.Kf2 Bxh1 4.Kg1 Bxd5 5.g2
The Problemist 1984
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¤£¤Y¤£¤£ [ Pobierz caÅ‚ość w formacie PDF ]
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