Odnośniki
|
[ Pobierz caÅ‚ość w formacie PDF ] |||||||| |||||||| £¤£¤£¤£¤ £¤£¤£p£¤ diagrammes 1980 1999 |||||||| |||||||| |||||||| |||||||| ¤«¤2¤£¤£ ¤£¤¹¤£¤£ £¤£¤£¤«¤ £1£¤£¤£¤ |||||||| |||||||| |||||||| |||||||| £¤£¤£Z£¤ £¤£¤£¤2¤ ¤£¤£¤£p£ ¤»¤£¤£¤m |||||||| |||||||| |||||||| |||||||| ¤£¤£¤£¤£ ¤£¤£¤£¤£ £¤£¤£¤Y3 £¤£¤£¤£¤ |||||||| |||||||| |||||||| |||||||| £¤£¤£¤£¤ £n£¤£¤£º ¤£¤£º£¤£ ¤¹¬o¤£¤£ |||||||| |||||||| |||||||| |||||||| ¤m¤£¤£n£ 1£¤£¤£¤£ £¤£¤£¤£1 £¼£3£¤£¤ |||||||| |||||||| ¤£¤£¤£¤£ ¤¹¤£¼£¤£ h#3 211... 3+3 h#3 211... 5+3 1.Rc4 Bh2 2.Kd4 Ke6 1.Be7 Ba3 2.Kg5 h4+ »¤£¤£¤»¤ £¤£¤»¼£¤ |||||||| |||||||| 3.Sc3 Bg1# 3.Kf6 Bb2# |||||||| |||||||| ¤£¤£¤£¤£ ¤£¤£¤£¤£ 1.Sd4 Ba2+ 2.Ke4 Kd6 1.Bg5 Bg8 2.Rf4 h3+ h#3 0-position 2+6 h#4 211... 4+8 3.Sf3 Bb1# 3.Kf5 Bh7# a) Úg2®h7 b) Ùg8®h8 a) 1.Bf6+ exf6 2.a1=B f7 1.Bc6 bxc6 2.f1=B c7 Pleasant switchbacks for mate separated nicely by 3.Bg7 fxg8=S# 3.Bg2 c8=Q 4.Bd5 Qh8# each move of the pawn by a master of the b) 1.Rf6 exf6 2.g1=R fxg7 1.Sa6+ bxa6 2.e1=S a7 seemingly simple, with the emphasis on 3.Rg6 gxh8=Q# 3.Sd3 a8=Q 4.Sc5 Qa1# seemingly. Excellent construction, as always, from this author (SD). 605c. Yuri Gordian Gennady Kozyura 605d. 603. Abdelaziz Onkoud 4 hm Shakhmatnaya Chris Feather a) 1.Sd6+ Re4+ 2.Kd5 Bb5 3.Sd4 Re5# Poezya 2000 Broodings 2005 b) 1.Sc3+ Be4 2.Kc4 Kh2 3.Bd4 Bd3# 2¤£¤£¤Y¤ £¤£¤£¤£¤ |||||||| |||||||| |||||||| |||||||| º»¤£¤£¤» ¤£¤£n»¤£ Cute blend of black battery play, changed self-blocks |||||||| |||||||| £¤£¤£¤£¤ £¤»¤»º£¤ and switchback mates (HF). |||||||| |||||||| ¤£¤£¤»¤£ ¤£¤2Z£¤o |||||||| |||||||| £¤»¤£p£¼ £¤«p£¤£¤ 604. Christer Jonsson |||||||| |||||||| ¤»¤£¤«¤0 ¤£¤£¤£¤» |||||||| |||||||| £¤£¤£¤»¤ »¤£¤»º£¤ 1.b1=R Bxb6 2.Rxb6 Ka7 3.Rg6 Sf7# |||||||| |||||||| ¤£¤£¤£¤£ ¤£¤£¤£1£ 1.b1=B Sf3 2.exf3 Bb8 3.Bg6 Bf4# h#4 b) Îa7®h5 2+11 h#4 211... 4+11 a) 1.Bb8 axb8=S 2.g1=B 1.Rg5+ Kh2 2.Rg7 fxg7 Quite familiar blend of sacrifices in Zilahi form with Sa6 3.Rb8 Kg2 3.e1=R g8=S 4.Re5 Sf6# black promotions for changed self-blocks. Pity there 4.Ba7 Sc7# 1.Bc5 Bf8 2.Be7 fxe7 is a white tempo move only in one solution (HF). b) 1.Rg6 hxg6 2.g1=R 3.a1=B e8=S 4.Bd4 Sf6# gxh7 3.Rg8 h8=Q The two solutions are exquisite in this Zilahi! The 4.Rb8 Qa1# first wasn t hard, but the tempo was a nice touch, and seeing the first solution led down a pleasant logic 606. Misha Shapiro path to find the corresponding solution (SD). a) 1.Qc6 Se8 2.Bd5 Sf6 3.Bg2 Sg4#, 1.Qg6 Se6 The double motivation for rook underpromotion is 2.Rg5 Sd4 3.Rg2 Sf3# regrettable: Qg6 guards both f7 and g5, but on the b) 1.Qg7 Sb5 2.Rg6 Sd4 3.Rg2 Sf3# way via b6 it would put white into zugzwang. But Quite familiar black Turton manoeuvres for take the good of it: would it be possible to make replacement of a square-block, extended to three zugzwang twice and in thematically pure setting? phases with a technical twin (HF). (JL). 64 No. 27 Mat Plus Autumn 2007 606a. connected to the first, as in any Jones! I don t like Knud Hannemann 606b. the WPf6 but such minor constructional concessions Dedicated to Lars Larsen Toma Garai are often necessary (SD). 1 hm Thema Danicum 1976 pr Thema Danicum 1976 |||||||| |||||||| 2J©¤£¤£¤ £¤£¤£Z£¤ 610. Anatoly Styopochkin |||||||| |||||||| ¤£¤£ª£¤£ ¤£¤£¤£¤£ 1.S2c3 Sg4 2.Sxe4 Bxe4 3.hxg4 Bd5# |||||||| |||||||| £¤£¤£¤£¤ £¤£¤£¤£¤ 1.S4c3 Bg4 2.Sxe4 Sxe4 3.hxg4 Sc5# |||||||| |||||||| ¤£¤0¤£¤£ ¤£¤£¤£¤£ Zilahi with white sacrifices for black tempo and |||||||| |||||||| £¤£¤£¤£¤ £n£¤£¤£¤ black sacrifices for square vacation (HF). |||||||| |||||||| ¤£¤£¤£¤£ ¤£¤£¤£¤£ |||||||| |||||||| £¤£¤£¤£Z 2¤0¤¹¤£¤ 611. Boris Shorokhov |||||||| |||||||| ¤£¤£p£¤£ J£¤£¤£¤© 1.Bxb3 Kf6 2.Bd5 Ke5 3.Bb7 axb7 4.Kc2 b8=Q | | h#3 b) Yh2 3+4 h#3 b) of8 4+3 5.Kc3 Qb3# a) 1.Qb1 Kc6 2.Rb2 Sd5 3. a) 1.Qg1 Sg3 2.Rf1 Se4 3. Only after the black bishop vacates the mate square, Rb8 Sc7#; b) 1.Qh2 Kc6 Ra1 Sc3#; b) 1.Qh8 Sf2 2. he can return for the sacrifice (HF) 2. Bg3 Sd5 3.Bb8 Sb6# Bg7 Sd3 3.Ba1 Sc1# Black Turton Black Turton 612. Borislav Stojanović 606c. Felix Sonnenfeld |||||||| £¤Y¤£¤£¤ 1.Bf3 Bxf3 2.Ke3 Kd1 3.Kf2 Bxh1 4.Kg1 Bxd5 5.g2 The Problemist 1984 |||||||| ¤£¤Y¤£¤£ [ Pobierz caÅ‚ość w formacie PDF ] |
|||
Sitedesign by AltusUmbrae. |